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Social Issues   |   World   |   Environment   |   Politics   |   Health and Science   |   Religion and Spirituality   |   True Crime   |   History    |   Arts and Entertainment   |  Sports   |   Technology   |   Animal Kingdom   |    Money   |   Lifestyle   |   BBC and Foreign   |   Industry

Source:  Los Angeles Times

In “On Her Shoulders,” director Alexandria Bombach showcases the herculean efforts of Yazidi-born Islamic State sex slave survivor and 2018 Nobel Peace Prize co-winner, Nadia Murad, as she pleads with global governments to assist her people.

The behind-the-scenes energy and persistence such an undertaking requires is rarely covered by the media.

Even Bombach was surprised by what she saw: “I’d never seen behind the curtain of advocacy or what it takes at this kind of global level,” she says. “The pageantry that abounds, the agendas everyone has, the sheer marketing of it all. My responsibility was to show that side, because that’s the side we don’t get to see.

“And I realized Nadia did change in the time we filmed — how she’d become very disillusioned with the process. So throughout I reflected a lot on our role: whether it’s as a journalist or documentary filmmaker — what are we really doing here? What’s the job? Hers and ours.”

Read the story at the Los Angeles Times.

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