Beginning today, just a few hours after Bruce Springsteen plays the final song of his Broadway residency, Netflix subscribers around the globe will be gifted front-row seats to one of the most exclusive shows the Great White Way has ever seen.
Directed by longtime Springsteen videographer Thom Zimny, the streaming version of “Springsteen on Broadway” starts with the Boss arriving on stage, it ends with him leaving it, and it doesn’t appear to skip over a single moment that paying audiences would have seen from inside the Walter Kerr Theatre.
If Zimny has cobbled together footage from different nights, it’s impossible to find the cuts. There’s no backstage business, no reflective asides; the whole performance is a reflective aside.
High-definition close-ups are your only consolation prize for not being in the room where it happened.
HBO will premiere Morgan Neville’s critically acclaimed Fred Rogers documentary, “Won’t You Be My Neighbor,” on February 9.
In addition, HBO will honor Rogers’ contribution and commitment to public television with a special presentation of the film on PBS’IndependentLens on the same day.
“Won’t You Be My Neighbor?” takes an intimate look at America’s favorite neighbor: Fred Rogers. The documentary tells the story of the soft-spoken minister, puppeteer, writer, and producer whose show was beamed into homes across America daily for more than 30 years.
In his beloved television program, “Mister Rogers’ Neighborhood,” Rogers and his cast of puppets and friends spoke directly to young children about some of life’s weightiest issues in a simple, direct fashion.
There hadn’t been anything like Mr. Rogers on television before, and there hasn’t been since.
“There’s a lot of bands, heavy metal bands, on the Navajo reservation. And for some reason this music, this subculture, seems to permeate with the youth,” says Jerold Cecil, manager of Arizona act I Dont Konform. “What Rez Metal is — ‘rez’ is sort of an inside word for ‘reservation.’ Our brand of metal is different than anybody else … it’s blowing up.”
For one week this summer, the Everything Is Stories creative team traveled to the southwest United States and Navajo Nation territory to document the originators of the DIY Rez Metal scene, and profile the bands that are now carrying the torch, including I Dont Konform, Mutilated Tyrant, and Born of Winter.
Watch short documentary, “Metal From The Dirt,” at Revolver.
Zeitgeist Films in association with Kino Lorber has acquired the North American rights for Pamela B. Green’s documentary, “Be Natural: The Untold Story of Alice Guy-Blaché.”
Narrated by Jodie Foster, the film centers on the life and accomplishments of the world’s first female filmmaker and had its world premiere at this year’s Cannes Film Festival.
The film plays like a detective biopic in tracing the career and legacy of the pioneering Guy-Blaché and could not be more timely in this era of women finally beginning to get their due in the movie industry.
The French filmmaker and film executive started in the movie business in 1894 as a secretary at Gaumont Studios for inventor Léon Gaumont and rose to become Head of Production.
In 1896 she wrote, directed, and produced one of the first narrative films ever made, “La Fée aux Choux” (The Cabbage Fairy).
Guy-Blaché directed over a thousand comedies, westerns, dramas that touched on women’s empowerment, child abuse, race, immigration, and sexuality and later owned her own production company, Solax, in New York.
John Coltrane, one of jazz history’s most revered musicians, released “Giant Steps” in 1959. It’s known across the jazz world as one of the most challenging compositions to improvise over for two reasons – it’s fast, and it’s in three keys.
Braxton Cook and Adam Neely give Emmy-nominated producer Estelle Caswell a crash course in music theory to help understand this notoriously difficult song, and she’s bringing us along for the ride.
Even if you don’t understand a lick of music theory, you’ll likely walk away with an appreciation for this musical puzzle.