Source: The New Yorker
The prevalence of documentaries about musicians is a curse, because most of these films do a terrible job of showcasing music.
One rare and moving exception is the work of director Robert Mugge, whose film “Sun Ra: A Joyful Noise”—about the musician and bandleader whose multimedia and pan-cultural activities made him one of the prime artists of Afrofuturism.
The film’s revelatory perspectives on Sun Ra’s work arise not only from the filmmaker’s analytical understanding of it, and the discussions that he films with Sun Ra and other members of the band, but also from his approach to filming music itself, in rehearsal and concert.
Read the story at The New Yorker.
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